There It Is—Take It! listening party at Metabolic Studios in Los Angeles

Please join me for a listening party event at Metabolic Studios in downtown Los Angeles for There It Is—Take It! on Saturday, March 23rd at 1 pm. Selections from the There It Is—Take It! audio tour will be presented following with a Q & A session with the project producers, Kim Stringfellow and Tim Halbur.

Metabolic Studios
1745 N. Spring St. Unit 4
Los Angeles, CA 90012
www.metabolicstudio.org/

About the project:

There It Is—Take It! Owens Valley and the Los Angeles Aqueduct, 1913–2013 is a self-guided car audio tour through Owens Valley, California along U.S. Route 395 examining the controversial social, political, and environmental history of the Los Angeles Aqueduct system. The tour illuminates various impacts this divisive water conveyance infrastructure has created within the Owens Valley over the last one hundred years of the aqueduct’s existence. Stories of the aqueduct are told from multiple perspectives and viewpoints through the voices of historians, biologists, activists, native speakers, environmentalists, litigators, LADWP employees, and residents from both Los Angeles and the Owens Valley.

Designed as a free, 90-minute downloadable audio program, There It Is—Take It! seeks to shed light on the mutual past, present, and possible future of Los Angeles and Owens Valley—centered around its complicated and intertwined water history. The project illuminates the historic physical source of drinking water for the Los Angeles municipality while simultaneously revealing the complex relationship these two seemingly polar regions of California share through an innovative aural program incorporating interviews, field recordings, music, and archival audio that educates the listener while experiencing scenic Owens Valley landscape firsthand along U.S. Route 395.

To experience the project, please visit: http://thereitistakeit.org/

This project was made possible with support from Cal Humanities, an independent non-profit state partner of the National Endowment for the Humanities. For more information, visit www.calhum.org. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of Cal Humanities or the National Endowment for the Humanities.

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